front cover of Bearheart
Bearheart
The Heirship Chronicles
Gerald Vizenor Vizenor
University of Minnesota Press, 1990
Bearheart, Gerald Vizenors first novel, overturns "terminal creeds" and violence in a decadent material culture. American civilization has collapsed and Proude Cedarfair, his wife, Rosina, and a bizarre collection of disciples, are forced on a pilgrimage when government agents descend on the reservation to claim their sacred cedar trees for fuel. The tribal pilgrims reverse the sentiments of Manifest Destiny and travel south through the ruins of a white world that ran out of gas. "[Vizenor] is perhaps the supreme ironist among American Indian writers of the twentieth century. Bearheart has become an underground classic." N. Scott Momaday Gerald Vizenor is the author of Wordarrows (1978), Earthdivers (1981), The Trickster of Liberty (1988), Interior Landscapes (1990), and Griever (1990).
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front cover of Griever
Griever
An American Monkey King in China
Gerald Vizenor Vizenor
University of Minnesota Press, 1990

Griever de Hocus, accompanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People’s Republic of China in Vizenor’s inspired retelling of the classic Chinese Journey to the West. Fiction.

Griever de Hocus, accomopanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People's Republic of China in Vizenor's inspired retelling of the classic Chinese Journey to the West.

"Much of the American experience of the New Post-Cultural Revolution in China is related with devastating comic irony. The sights, sounds, and smells of the land are often unerringly captured by the author's lean, laconic prose." Los Angeles Times
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front cover of The People Named The Chippewa
The People Named The Chippewa
Narrative Histories
Gerald Vizenor Vizenor
University of Minnesota Press, 1984
Ranging in time and space from Madeline Island and the reservations of northern Minnesota to the urban reservation of Minneapolis-St. Paul, Vizenor recounts the experiences of the Chippewa and their encounters with the white people who "named" them. "Through some very funny moments, Vizenor raises serious questions for the pan-Indian movements and 'radical' academics. A teacher and scholar wishing to avoid and to correct the mistakes of twentieth-century scholarship in discussing 'Indians,' 'Native Americans' or 'Amerindians' would do well to begin with these stories; they are the strength of the Anishinaabeg." World Literature Today Gerald Vizenor is the author of Wordarrows (1978), Earthdivers (1981), The Trickster of Liberty (1988), Interior Landscapes (1990), Griever (1990), and Bearheart (1990).
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front cover of Race and Cultural Practice in Popular Culture
Race and Cultural Practice in Popular Culture
Perez, Domino
Rutgers University Press, 2019
Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.  
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